We use cookies to enhance site navigation, analyze site usage, and for our marketing efforts. By accepting, you consent to our Privacy Policy You may change your settings at any time by clicking "Cookie Consent" at the bottom of every page.

Options
Essential

These technologies are required to activate the essential functions of our range of services.

Analytics

These cookies collect information about the use of the website so that its content and functionality can be improved in order to increase the attractiveness of the website. These cookies may be set by third party providers whose services our website uses. These cookies are only set and used with your express prior consent.

Marketing

These cookies are set by our advertising partners on our website and can be used to create a profile of your interests and show you relevant advertising on other websites (across websites).

Joanna Dudley

WE WILL SLAM YOU WITH OUR WINGS

Girl with red hair shouting.
Joanna Dudley, WE WILL SLAM YOU WITH OUR WINGS (Tabatha Howard), 2022, photo: Dudley Meyburgh

How much of life is determined by what you have been told is possible? What does it take to break free and forge your own path? In WE WILL SLAM YOU WITH OUR WINGS, Joanna Dudley presents a transformative narrative: six girls, ages eight to 16, challenge the tragic fates of women in operatic arias, such as Dido, Tosca, Madame Butterfly and Salome, turning them from victims to heroines.

The artist herself takes the role of the chieftan, encouraging the girls to take autonomy over their own voices. At the same time she represents the forces they must overcome; channeling notorious speeches of male dictators and leaders, such as Joseph Goebbels and Benito Mussolini, and transforming them into a feminist war cry.

These young girls are the leaders, the army, the chorus, the pack, the collective and the future voice. In this way, Dudley gives space to unheard voices, and challenges you to consider how your present is constructed for you. 

Joanna Dudley

Having collaborated extensively with William Kentridge for the past 10 years, Dudley's artistry has graced iconic spaces such as TATE Modern, Carnegie Hall, and the Metropolitan Opera. Her multifaceted talents as a director, performer, and singer converge in works that defy convention and challenge preconceived ideas.

Credits

The exhibition is curated by Marina Paulenka, Director of Exhibitions, Fotografiska Berlin

17 May 2024 — 15 Sep 2024

Andy Warhol

After the Party

Who are you when the party is over? When you stop trying to impress others, dare to be vulnerable and seen for who you really are? After The Party reveals a different side to Andy Warhol; an individual longing to belong, captured through his camera lens.

Learn more
Portrait of Andy Warhol wearing a blonde wig, looking into the camera.

23 Aug 2024 — 1 Dec 2024

Eli Cortiñas

The Machine Monologs – Part I: The Storm

Many of us aim to have a positive impact on the world. But how much agency do we have in the systems that surround and govern us? In "The Machine Monologs – Part I: The Storm", video artist Eli Cortiñas critically approaches the role of technology in our lives, offering a critical glimpse of hope amid a crisis of imagination.

Learn more
A close-up shot of a woman who wears glasses.

23 Aug 2024 — 9 Oct 2024

Lukas Städler

Hain

Gay cruising – the anonymous sexual encounters between gay men in public spaces – is for many a hidden side to Berlin. In "Hain", Lukas Städler breaks old stereotypes by capturing the intimate, romantic moments of these spaces.

Learn more
A man sitting on a tree covered with flowers.

14 Jun 2024 — 6 Oct 2024

Josèfa Ntjam

Futuristic Ancestry: Warping Matter and Space-time(s)

What are the stories that shape your perception of the world and yourself? How can we create alternative narratives within our communities to mobilize change? In Futuristic Ancestry, artist Josèfa Ntjam explores collective histories, as well as her own memories, to deconstruct these dominant narratives and uncover a new, liberated future.

Learn more
A collage of microscopic images of microorganisms in green and purple colors, superimposed over a photograph of a woman.